
Raindrops on pine trees and whiskers on puppys, photography with great friends who are lovely, add in some lights and some models that sing, these are a few of my favorite things! Sunday was extra awesome this year because my photography besties put together a lighting meet Easter party! The meet was complete with great food, great photographers who also happen to be great teachers, 4 wonderful models (Maddie, Sasha, Kalia, and Kaimana), a scenic location (Wa’ahila Ridge State Recreational Area), and even festivities for the kids like an egg hunt, egg dying, and some games to boot!

Having just watched a good portion of the Lighting Essentials with Don Giannatti creativeLIVE workshop and also having had the experience of photographing a shoot at this location before (though in another section of the park), I was inspired to create a specific photo at the meet today by employing a gel lighting technique that would allow me to darken the forest and add a green tint to mystify the forest a little while keeping the model the appropriate color. Unfortunately, the odds were not ever in my favor. I leant my camera to a coworker earlier in the week, and upon receiving it back, I discovered that the memory card pins in the camera had been severely damaged rendering my camera unable to record data and therefore useless for this day. Also, there were no color gels large enough for me to pair with one of the high power lights today and my attempts with a speedlite (above and below) failed to get the look I had in my head. Thankfully, though, some of the gear heads have more than one camera body, and I was given permission to use one of their cameras. Thanks, Stacey!




I seemed to have brought a grey cloud with me to the meet as well, because not an hour in to our time with our fabulous models, the weather took a turn for the wet.

My goal for this next look was to do an evening fashion/editorial look kinda inspired by the Express mailers. We found a great “little black dress” and since there happened to be two models available, I decided to throw one in the background to add a curious story element to the photo. With Shon assisting me with his cool lights, modifiers, and stands, overpowered the ambient light to darken the background and blasted a hard light at the models to create sharp, dramatic shadows. Unfortunately, I ran into some shiny skin problems because of the rain, so I did my best in post processing to matte-ify the shine as much as possible without completely removing the wet reality of the situation. The models were real troopers!



The other two models had just returned from another location in the park and one of them wanted to do a set out on the ridge area that overlooks Manoa valley. I walked out to the Ridge with Stacey who had an AlienBee strobe in tow, and the two models, but as we neared the ridge, the rain came down harder, and Stacey and the Alienbee went back under cover, and I was left with the two models the unprotected ridge, and the rain. I didn’t really have a lot of time to think of a natural light look for this location, but the models just struck the poses and made my job easy. I tried a few back-lit looks, but their eyes were especially dark without me having something for their eyes to reflect as they faced the forest, so I turned their faces toward the cloud-covered sun and sought a position a somewhat favorable composition position on a slippery slope. (I was determined to keep the log as a leading line, slippery or no).

Her eyes were darker than I would like, so I was thankful when she laughed at I don’t know what, and I got a look where dark eyes aren’t an issue. And once I got the shot I wanted, we ran for cover with everyone else.

As the minutes ticked by, the sky got darker and darker and the rain wasn’t letting up. The models still had one more look they wanted to get, and I was hoping to work do something the last model I hadn’t up till this point had the opportunity to work with, so while the three girl models did their thing, I enlisted Kaimana to stand in for me so I could set up one last look.

This look was inspired by the Lighting Essentials with Don Giannatti creativeLIVE workshop. He has an in-studio lighting setup he calls “beach light” where he uses one light source as a back light and uses white boards to key an exposure on the subject’s front side to give the model something to reflect. Being outdoors and without giant 8′x4′ foam core boards, I have photographers Kyle and Norris hold silver reflectors and fellow photographer Juro hold and aim my 1/2 CTO gelled flash to feather rim light the model and allow the reflectors to kick some light to the front side of the model. I used the gel to try the green-ify exposure effect again and simulate sunrise light. I looked a little more SoCal to me than sunrise, but I liked the effect anyway.

So when the girls finished their last look, I asked Maddie if I could do one final last set, and she graciously agreed to let me take photos of her.

There are a few things I wish I had done at this meet that I didn’t. I wish I had taken some candids, some establishing shots, some detail shots and other things to better tell the story of the meet, but thankfully, Norris has put together a beautiful photo-journalistic set that I couldn’t even begin to compare to.
Despite the lousy weather and a dysfunctional camera, Easter Sunday was a great day. I got to spend it with great friends, eating great food, doing one of my most favorite things. Thanks everyone for making this happen! I hope the next one isn’t too far off.